All posts tagged: cinema

None of Us Shall Enter the Kingdom?

WARNING: SPOILERS AHEAD! “In our age,” Søren Kierkegaard complains about the 19th century in Fear and Trembling, “everyone is unwilling to stop with faith but goes further.”[1] This is true in our day also. For all the talk about “the end of faith,” sustained reflections on this theological virtue are scarce. In film, reflections on faith rarely go beyond the trappings of clerical garb or the often heavy-handed and saccharine “Christian movie” genre. Over a year ago, Martin Scorcese’s Silence generated a lively discussion around Christian martyrdom. More recently, Paul Schrader’s First Reformed, has given us the kind of dramatic look at the tormented inner life of a country parson the likes of which we had not seen since Ingmar Bergman’s Winter Light or Robert Bresson’s Diary of a Country Priest. This is to be welcomed. Still, I want to point to an older film largely unknown outside of specialist circles, as well as to the theological tradition that underpins it. A film which addresses the nature of Christian faith with unrivaled centrality and depth. Perhaps …

The Exodus and Apocalypse All in One Human Flow

What does a world look like in which there are now 258 million migrants and refugees, representing 3.4% of the global population, or, one in every 300 people? To gain some kind of mental image, let’s begin with the extraordinary new documentary film from Ai Weiwei, Human Flow, filmed in 23 countries and 40 refugee camps. This film is sweeping, immersive, and artful at moments, drawing us in with its use of high-altitude drone cameras looking down at a beautiful cobalt Mediterranean, across which a boat overflowing with orange life preservers gradually pulls into harbor at the island of Lesbos. As the director Ai Weiwei helps the passengers unload, he speaks with a young man from Iraq, a country that now has 4 million displaced people, internally and externally. An Greek aid worker comments to the director that in a single recent week (during the period of the film’s shooting, 2015-2016), some 56,000 refugees arrived in Greece, with another 5,000 drowned en route. The film moves on to Iraq, with another high-altitude shot, this one …

The 2018 Best Picture Nominees and the Script of Transcendence

The nominations for the 90th Academy Awards were announced on 23 January 2018. In recent years, the Academy of Motion Picture Arts and Sciences received harsh criticism for a lack of diversity among its nominees which many interpreted as an indication of the Academy’s lack of cultural awareness in general, and many people have simply written off the Oscars as an awards show that only means something for people of a certain gender, ethnicity, socioeconomic status, or political affiliation. This year, thankfully, the nominees include a more diverse array of incredible talents, but the perennial conversation serves as a reminder of the fact that movies and awards, like most everything else, have become politicized, and it’s not necessarily the best picture that wins “Best Picture.” But, in the end, it doesn’t really matter which film wins the top honor year after year, for in reality, every film in the category is worth our attention for one reason or another. What matters is the fact that the stories told in these movies have the potential to change …