All posts tagged: Flannery O’Connor

How Am I a Hog and Me Both?

There’s no getting around it—with the Metropolitan Museum of Art’s popular new exhibit, Heavenly Bodies: Fashion and the Catholic Imagination, how suddenly hip the Catholic Imagination has become. Who knew? The short answer is: quite a few of us. The Catholic imagination, with its diverse expressions of creativity and its compassed epistemologies of receptivity, refers to the creative faculty endowed to creatures for critical, contemplative, and intellectual engagement with the living God. It is a habit of making and seeing with a long tradition to consider and continually retrieve. To follow its most articulate commentator, Hans Urs von Balthasar (who, I hasten to note, never used the term explicitly), the Catholic imagination is implicit in any theological aesthetics, taking the form in Balthasar of lay and clerical “styles”—styles of creativity in prayer, prose, and poetry inseparable from “unique divine mission” and particular “historical existence.”[1] While there are scores of styles to encounter and behold, the Catholic imagination is most penetrating and fruitful when organized around key attributes and qualities—some cultural, some critical, and others theological. …

Grace Lurking in the Midst of an All-Consuming Anger

 SPOILER ALERT: This review does indeed contain spoilers. Red Welby (Caleb Landry Jones) reads Flannery O’Connor. This is not a defining feature of his, and no neighbor would probably note his reading choice. But to the viewer of Three Billboards Outside Ebbing, Missouri, writer-director Martin McDonagh’s momentary close-up of A Good Man is Hard to Find in Red’s hands early in the film is full of meaning. I suggest that it may be the key to understanding what this film is trying to say. In spite of the cycles of anger that seem to define and consume the world, there are moments of grace that shake our expectations and show another path. It is up to us to choose whether we will walk that new path, or continue down our current road. Three Billboards is the story of Mildred Hayes (Best Actress nominee Frances McDormand), an acerbic woman who rents the titular billboards outside of her southern town to call attention to the unsolved rape and murder of her teenage daughter. Mildred’s message tries to …

“You can eat with us”: On Poverty and Community

Twenty years ago, I asked Paul, the tall, burly, blunt, and opinionated leader of the Catholic soup kitchen, if I could take my youth group to serve dinner. “Nope!” he barked. Startled, I squeaked out, “Um, why?” “I used to do exit interviews of high school kids after serving, and one kid said what all the other kids thought: ‘It’s good to serve someone I’m better than.’ You can eat with us. Your kids can come down, a couple at a time.” Paul, in his blunt way, echoed the eloquence of St. Vincent de Paul: You will find out that Charity is a heavy burden to carry, heavier than the kettle of soup and the full basket. But you will keep your gentleness and your smile. It is not enough to give soup and bread. This the rich can do. You are the servant of the poor, always smiling and good-humored. They are your masters, terribly sensitive and exacting masters you will see. And the uglier and the dirtier they will be, the more unjust …

The Catholic Imagination in the Classroom

My students have grown accustomed to their senses being bombarded with stimulation. They find it difficult, as do I, to cut off from the noise of the fast-paced world swirling around them. Too often, the media that falls in their lap, or rather pops up on their screen, is less than hopeful. It portrays a cold world where nothing is certain, only hard facts and “science” can be trusted, and faith must be kept at arm’s length, as all superstitions should. This worldview, in my opinion, is causing an existential crisis among our students before they even enter high school. This environment does nothing to help me as a teacher of theology to nourish the Catholic imagination of my students, a task I feel is at the center of my work as a catechist. In this world, a sacramental view is seen as foolish at best and willful ignorance at worst. This hermeneutic of skepticism makes it nearly impossible for conventional approaches to catechesis to break through the noise and open their eyes and ears …