All posts tagged: history of art

Musical Mystagogy: St. Margaret Mary and the Sacred Heart

October 16th marks the feast of St. Margaret Mary Alacoque (1647–90), a Burgundian nun who experienced a series of visions from 1673 to 1675 that ultimately resulted in her petitioning Church authorities to institute a feast in honor of the Sacred Heart of Jesus on June 8th. In addition to the feast itself, St. Margaret Mary promoted acts of devotion in honor of the Sacred Heart, chief among which was the reception of Holy Communion on the first Friday of every month, a devotion many still practice to this day. It is for her devotion to the Sacred Heart of Jesus and her untiring efforts to spread that devotion to others that Margaret Mary Alacoque is honored as a saint, and so today’s musical piece will focus not on the saint herself, but on the object of her unwavering devotion: the Sacred Heart of Jesus. The devotion to the Sacred Heart is twofold: on the one hand, we honor the physical heart of Jesus, the pulsing heart of muscle and blood with its valves and …

The Eschatological Marian Image

In sharp contrast to the multiple-viewpoint technique and elongated figures dominating the old, Byzantine-influenced paintings, the new Western 15th century religious images are distinguished above all by an “increasing realism” embedding conspicuous moments in biblical narrative within landscapes or interiors of great spatial and symbolic complexity. Moreover, the increased availability of panel paintings and, by the mid-15th-century, woodcuts, naturally facilitates their acquisition as quasi-spiritual tokens for the purpose of private devotion. Hans Belting writes: “Individual citizens did not want an image different from the public one so much as they needed one that would belong to them personally. They expected the image to speak to them in person.” Jeffrey Hamburger notes that the transition from aniconic to an image-based vision is characterized by “the increasingly important role of corporeal imagery in spiritual life.” In this development, spanning from the late 13th through the 15th century, “the process of vision is detached from the process of reading [Scripture].” Less the focus of sustained exegesis or affective vision than a deposit of possible allusions and increasingly fungible …