All posts tagged: Josef Pieper

The Horror Inherent in Leisure

Leisure is not the cessation of work, but work of another kind, work restored to its human meaning, as a celebration and a festival. –Roger Scruton Leisure may very well be the basis of culture—as the beloved Josef Pieper says—but the word bears a fantastically unconvincing ring to a family full of farmers and maintenance workers as something to do with one’s life. I can assure you of this from personal experience. When the leisure espoused includes nary a game of sport or hunting, and includes little to no gambling, you can understand the incommensurable impasse a fly-over humanities major finds himself in defending their life choices. The great Walker Percy on more than one occasion relates that it was easier to say to townsfolk in Louisiana that he did “nothing” rather than explain that he wrote for a living. My interest is drilling into a fundamental misunderstanding of leisure by its supposed practitioners and most fervent devotees. Too often the allure of the quietude and unsegmented hours that must be allotted for the practice …

Josef Pieper’s Critique of Western Civ

On February 1, 1950, just in time for Commencement Day, the eminent German philosopher Josef Pieper arrived on the University of Notre Dame campus. It was his first visit to the U.S., having finally been recruited by Waldemar Gurian (founder of the University’s notable Review of Politics) to teach for the spring semester. The speaker for the day’s ceremony, as Pieper notes in the recently published second volume of his memoirs, Not Yet the Twilight, was the young Congressman John F. Kennedy, whom he thought somewhat resembled Charles Lindbergh. In fact, two years before, Gurian had asked a Notre Dame colleague travelling in Germany to meet briefly with Pieper in hopes of encouraging him to come to South Bend. He got a message back saying “Nice man but doesn’t speak English.” Two years later, Pieper was successfully—if sometimes haltingly—lecturing to his American students in English. Before his arrival, however, Pieper had been cautioned by Gurian: “Theology, above all, is missing at this University; there is hardly any real philosophizing, and there is nothing of the …

And the Nominees Are . . . Hacksaw Ridge

Editors’ Note: In anticipation of the 89th Academy Awards on February 26, we present a series exploring the philosophical and theological elements in each of the nine films nominated for Best Picture. This post contains no spoilers. Walking out of the theater after seeing Hacksaw Ridge, my senses were on high alert. Sitting through the graphic, suspense-filled battle scenes of this based-on-a-true-story war movie left me waiting for an enemy soldier (or, more realistically, a car or pedestrian) to jump out in front of us on the drive home. Luckily my less-fazed husband was driving and we made it home safely. I left feeling slightly traumatized by the battle scenes, but I can appreciate what Mel Gibson was trying to do with his realistic portrayal of the horrors of war Desmond Doss faced. In a press conference, Gibson described his intentions in directing these violent scenes for the movie: [The realistic portrayal of the Battle of Okinawa] highlights what it means for a man with conviction and faith to go into a situation that is a hell on earth, that reduces most men …