All posts tagged: martyrs

St. Maximillian Kolbe and the War Against Indifference

More than one concentration camp survivor has remarked that one would need the pen of Dante to describe the horrors that afflicted the “great army of unknown and unrecorded victims.”[1] Hell is that abyss that skews vision and slurs speech. It shreds human community by erasing all marks of personal identity by eviscerating of all bonds of human communion—trust, mercy, and love. During Mass celebrated at Auschwitz on June 7, 1979, John Paul II described the concentration camp as a “place, which was built for the negation of faith—faith in God and faith in man—and to trample radically not only on love but on all signs of human dignity, a place built on hatred and on contempt for man in the name of a crazed ideology. A place built on cruelty.”[2] A place “characterized by man’s fury and scorn for man, in which man was cut down to the level of a robot, a state worse than slavery.”[3] This was an era in which “the human person was degraded, humiliated, and despised. In this poisoned …

A bishop, St. Thomas Becket, against the backdrop of blue.

Thomas Becket and the Witness of Friendship

“I give my life To the Law of God above the Law of Man” —Murder in the Cathedral, T.S. Eliot[i] Thomas Becket, whose feast of martyrdom is observed today, is a highly celebrated figure of English Christianity, commemorated in painting, verse, and drama since his 12th century assassination. The story of Thomas Becket’s unlikely rise to Archbishop of Canterbury is chronicled in Peter Glenville’s film Becket (1964). Although it tells the story of Becket’s martyrdom, the heart of Glenville’s tale is Becket’s friendship with Henry; he frames the film with scenes of Henry II at Becket’s tomb, addressing his deceased friend. Becket sets up a medieval buddy movie, which is ruined by God. There is, of course, more to Thomas Becket’s story than simply his friendship with King Henry II. But the particular sacrifice of friendship, love, and loyalty that the film paints is a striking hue of Becket’s portrait, and a touching testament to the singular witness that friendship plays in the life of faith. The film starts with the puerile shenanigans of Becket …