All posts tagged: music

The Month of Mary and Music

Editorial Statement: During the month of May (Mary’s Month), Church Life Journal will celebrate the month of Mary by consider the nature of the  Marian imagination in art, music, folk customs, private devotion, and ritual action. The dedication of May as Mary’s Month is attested by several traditions, rather than by one definitive tradition. The earliest mention of it is from King Alfonso X of Castille in the 13th  century. The king speaks about honoring Mary on various dates in May in his Cantigas de Santa Maria.  However, the dedication of the full month only developed sometime between the 17th and 18th centuries. If that explanation is not precise enough for you, then here’s Gerard Manley Hopkins’ poetic attempt at one in “The May Magnificat”: MAY is Mary’s month, and I Muse at that and wonder why: Her feasts follow reason, Dated due to season— Candlemas, Lady Day; But the Lady Month, May, Why fasten that upon her, With a feasting in her honour? Is it only its being brighter Than the most are must delight her? Is it opportunest And flowers …

Medieval Rites and Contemporary Dying

Medieval Rites The scribes lived over 700 years ago, but their documents give us insight into the monastery’s practices when a brother became seriously ill: The leader of the community, the prior, came to the brother’s sickbed to hear his confession. The others gathered and processed to the infirmary with oil for anointing, incense, the communion host, a cross, and candles. They assembled in the room, singing antiphons and psalms as their sick brother was anointed. The gathered brothers sang songs of petition, using words from the Gospels: “Lord, come down to heal my son before he dies,” and songs of hope: “Jesus said to him, Go, your son lives.”[1] After the anointing, the brothers arranged a schedule so that at least one person remained always at his bedside. Prayers were said for him at the daily public Mass. If the brother did not regain strength, but instead seemed to be nearing the end of his life, the entire community gathered again. In their brother’s presence, they sang a litany, naming members of the heavenly …

Stations of the Cross 13-14: This Is Ground Zero, Emptiness and Space

Throughout this Holy Week, we are going to be sharing a series of poetic meditations on the Stations of the Cross by Malcom Guite. An Anglican priest-poet currently serving as Chaplain of Girton College at the University of Cambridge, Guite has published eight books of his poetry, with two more forthcoming. His collection Sounding the Seasons comprises sonnets composed for various feasts and seasons throughout the liturgical year, including this series. We are grateful for Guite’s kind permission to share these sonnets on Church Life Journal. The pregnant silence of the Cross becomes the heavy silence of the tomb. Love lies buried, encased in the coldness of stone. Yet death’s weight cannot hold him, for his body has been sown into the earth as the grain of wheat that falls to the ground and dies. We have only to wait with patience and with hope for the seed to bud, and blossom, and burst forth from the tomb in newness of life. XIII. Jesus’ body is taken down from the cross His spirit and his life he breathes …

Stations of the Cross 11-12: His Final Breath Breathes and Bears Us

Throughout this Holy Week, we are going to be sharing a series of poetic meditations on the Stations of the Cross by Malcom Guite. An Anglican priest-poet currently serving as Chaplain of Girton College at the University of Cambridge, Guite has published eight books of his poetry, with two more forthcoming. His collection Sounding the Seasons comprises sonnets composed for various feasts and seasons throughout the liturgical year, including this series. We are grateful for Guite’s kind permission to share these sonnets on Church Life Journal. At the moment of Jesus’ Death during the proclamation of the Passion, the Church bids us kneel, silent in the face of so great a mystery. With silent hearts, then, we ponder the Light that darkness cannot overcome, the Love that gives unto the end, the Death by which death dies. “We adore you, O Christ, and we praise you, because by your holy Cross you have redeemed the world.” XI. Crucifixion: Jesus is nailed to the cross See, as they strip the robe from off his back And spread …

Stations of the Cross 9-10: In the Cold Hell Where You Freeze

Throughout this Holy Week, we are going to be sharing a series of poetic meditations on the Stations of the Cross by Malcom Guite. An Anglican priest-poet currently serving as Chaplain of Girton College at the University of Cambridge, Guite has published eight books of his poetry, with two more forthcoming. His collection Sounding the Seasons comprises sonnets composed for various feasts and seasons throughout the liturgical year, including this series. We are grateful for Guite’s kind permission to share these sonnets on Church Life Journal. Whereas Jesus’ first and second falls were followed by moments of tenderness in the encounter with his Mother and the women of Jerusalem, this third and final fall is followed by the beginning of the end as Jesus is stripped by the soldiers who prepare him for his Crucifixion. And yet, this end, this Death toward which Jesus draws ever closer, is not the end; rather, it is the beginning. For though the soldiers strip Jesus of his garments and his tunic, they cannot strip him of his identity—even …

Stations of the Cross 7-8: The Cruel Repetitions of Our Cruelty

Throughout this Holy Week, we are going to be sharing a series of poetic meditations on the Stations of the Cross by Malcom Guite. An Anglican priest-poet currently serving as Chaplain of Girton College at the University of Cambridge, Guite has published eight books of his poetry, with two more forthcoming. His collection Sounding the Seasons comprises sonnets composed for various feasts and seasons throughout the liturgical year, including this series. We are grateful for Guite’s kind permission to share these sonnets on Church Life Journal. Jesus’s first fall is followed by meeting his Blessed Mother. His second is followed by meeting the women of Jerusalem. Moments of excruciating agony and humiliation give way (however briefly) to moments of extreme tenderness and empathy. As Jesus’s pain intensifies in the second fall, so also the scope of his Passion broadens in the encounter with the women of Jerusalem: Jesus’s prophesy indicates that his Death is no ordinary death. It will forever change the course of human history; there is no time or place or person that …

Stations of the Cross 5-6: Bystanders and Bypassers Turn Away

Throughout this Holy Week, we will be sharing a series of poetic meditations on the Stations of the Cross by Malcom Guite. An Anglican priest-poet currently serving as Chaplain of Girton College at the University of Cambridge, Guite has published eight books of his poetry, with two more forthcoming. His collection Sounding the Seasons comprises sonnets composed for various feasts and seasons throughout the liturgical year, including this series. We are grateful for Guite’s kind permission to share these sonnets on Church Life Journal. In these next two Stations we are presented with two contrasting personas: Simon, whose reaction to his initial encounter with Jesus might be characterized as, “There but for the grace of God go I,” and Veronica, whose reaction might be characterized as, “There with all the grace of God go I.” Simon is pressed into service; Veronica offers hers freely in love. And yet, both are in their own way transfigured by their encounter with the suffering Christ: Simon quite literally learns to imitate Jesus by taking up the Cross, and …

Stations of the Cross 3-4: Divinity and Dust

Throughout this Holy Week, we will be sharing a series of poetic meditations on the Stations of the Cross by Malcom Guite. An Anglican priest-poet currently serving as Chaplain of Girton College at the University of Cambridge, Guite has published eight books of his poetry, with two more forthcoming. His collection Sounding the Seasons comprises sonnets composed for various feasts and seasons throughout the liturgical year, including this series. We are grateful for Guite’s kind permission to share these sonnets on Church Life Journal. Continuing along the Via Dolorosa with Malcom Guite’s sonnets on the Stations of the Cross, the vividness of the poet’s imagery comes to the fore, along with the lyrical quality of the diction, particularly the alliteration in the third station with words like flesh and flinch and flint, and in the fourth with mars and maiden making. Unlike prose, poetry bids the reader pause: at the end of each line, at each comma, we take a beat and take a breath and take a fleeting moment to contemplate the “gravity and …

Stations of the Cross 1-2: As Pilate Turns Away

Editorial Note: Throughout this Holy Week, we will be sharing a series of poetic meditations on the Stations of the Cross by Malcom Guite. An Anglican priest-poet currently serving as Chaplain of Girton College at the University of Cambridge, Guite has published eight books of his poetry, with two more forthcoming. His collection Sounding the Seasons comprises sonnets composed for various feasts and seasons throughout the liturgical year, including this series. We are grateful for Guite’s kind permission to share these sonnets on Church Life Journal. The sonnet is a form of poetry undoubtedly familiar to anyone who studied Shakespeare in high school English class. The Shakespearean or Elizabethan sonnet structure consists of fourteen lines broken into three quatrains and a couplet, usually written in iambic pentameter (five accented syllables per line following a weak-strong pattern of emphasis) and using the rhyme scheme abab-cdcd-efef-gg. The parameters of the sonnet form are quite stringent, and to compose a successful sonnet is a difficult task under the best of circumstances. In this series, however, Guite has imposed …

Where Does the Healing Power of Music Originate?

“Musick has charms to soothe a savage breast.” —William Congreve, The Mourning Bride (1697), Act I, Scene I Music seems to possess a boundless capacity to ease the suffering of a wounded heart. Whether at a funeral, a prayer service in the wake of a local or national tragedy, a reconciliation service, a regular Sunday Mass in Ordinary Time, or even in the car on the way home from work, music speaks to the heart in ways mere words never could, often requiring no words at all to bring a sense of peace and solace to those who suffer from emotional, spiritual, even physical wounds. Why? Woundedness, at its core, is the result of disintegration. There has been a rupture of some kind, and life’s relative equilibrium has been suddenly and perhaps even violently thrown out of balance, leaving a person feeling like she is no longer herself, like she no longer even knows who that self was in the first place. This spectrum of disintegration is vast and varied, including anything from minor events like …