All posts tagged: Protestant

Traversing Marian Economics

This August I will celebrate five years since being received into full communion with the Catholic Church. My journey into the Church was a long one, at least ten years. When I began telling friends and family about my upcoming reception, like most Catholic “converts” I received a wide range of reactions. I’d been raised within a small Protestant holiness denomination and later, during graduate school, I was confirmed in the Episcopal church. In addition to this, for many years I’d been studying and practicing canonical icon writing with a Russian Orthodox school of iconology. Some people couldn’t understand why I’d leave the Episcopal church as they knew I had convictions about women’s leadership in the church. Others couldn’t understand why I wasn’t becoming Orthodox, given my passion for the holy images. It is never easy to explain such journeys, and it is not my personality to attempt explanation. But some loved ones needed to hear something by way of explanation and so, when I found it pressing, I gave the best answer I could …

The Fear of Catholic Contamination at the Heart of American Individualism

Gothic fiction, the fiction of fear, has long been identified as paradoxically central to the literary tradition of the United States. Early exhortative texts such as the Declaration of Independence and Benjamin Franklin’s Autobiography clearly articulated an optimistic national narrative of rational, self-interested individuals escaping past tyranny to progress confidently together into an expansive future. By contrast, the Gothic fictions of writers such as Edgar Allan Poe, Nathaniel Hawthorne, William Faulkner, and Toni Morrison have depicted nightmarish threats to national ideals, inherent flaws in those ideals and their implementation, or both—thereby radically challenging “America’s self-mythologization as a nation of hope and harmony.” Such is the critical consensus. What scholars have failed to recognize adequately is the recurrent role in such fiction of a Catholicism that consistently threatens to break down borders separating U.S. citizens—or some representative “American”—from the larger world beyond. This role has in part reflected enduring fears of the faith in Anglo-American culture. British Gothic fiction originated in the eighteenth century as what one scholar pointedly deemed Horror Fiction in the Protestant Tradition, …