All posts tagged: racism

The Power of a Story to Reorient Racist Assumptions

SPOILER ALERT: This review does indeed contain spoilers. Some people wanna change, some people want to be stronger… faster… cooler. But don’t… please don’t lump me in with that. I don’t give a shit of what color you are, you know. What I want is… deeper. I want…. your eye, man. I want those things you see through. —Jim Hudson, blind art dealer in Get Out 1. Get Out has done something that no other film has likely ever even attempted. Writer and first-time director Jordan Peele has crafted a brilliant social commentary using the genre of horror to illuminate the insidious absurdity of racism, drawing uncanny attention to American society’s commodification and consumption of black bodies. Best known from Key & Peele, his comedic partnership with fellow actor/writer Keegan Michael Key, Peele believes that comedy and horror are connected because, as he says in an interview, “they’re both about the truth . . . If you’re not accessing what feels true, you’re not doing it right.” 2. Chris Washington, a 26-year-old black photographer living …

And the Nominees Are . . . Fences

Editors’ Note: In anticipation of the 89th Academy Awards on February 26, we present a series exploring the philosophical and theological elements in each of the nine films nominated for Best Picture. This post contains no spoilers. What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or fester like a sore— And then run? Does it stink like rotten meat? Or crust and sugar over— Like a syrupy sweet? Maybe it just sags Like a heavy load. Or does it explode? —Langston Hughes, “Harlem” Through a few short lines in his 1951 poem “Harlem,” Langston Hughes asks his readers to consider a response through brief but vivid imagery. Far from a whimsical thought experiment, these words capture the voices and experiences of an African American community whose bright American dreams have been too often lost amid the ugly shadows of racism. In director Denzel Washington’s Fences, adapted from August Wilson’s 1983 play, this societal sin forms the backdrop against which the richness of its narrative blooms. The depth of Wilson’s characters (and of the actors bringing …